.

Ранні сонати А.Гайдна та проблеми їх редакційної інтерпретації: Автореф. дис… канд. мистецтвознав. / Н.О. Ломоносова, Нац. муз. акад. України ім. П.

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IAOeIIIAEUeIA IOCE*IA AEAAeAIIss OE?A?IE

ii. I.I.*AEEIANUeEIAI

EIIIIINIAA IAOAEIss IEAAIAIA

OAeE 78.072+7.03

?AIII NIIAOE E.AAEAeIA OA I?IAEAIE

?O ?AAeAEOeIEII? IIOA?I?AOAOeI?

Niaoe?aeuei?noue 17.00.03 – ioce/ia ienoaoeoai

A A O I ? A O A ? A O

aeena?oaoe?? ia caeiaoooy iaoeiaiai nooiaiy

eaiaeeaeaoa ienoaoeoaiciaanoaa

Ee?a – 1998

Aeena?oaoe??th ? ?oeiien

Aeineiaeaeaiiy aeeiiaii ia eaoaae?i inoi?i? ioceee oa

ioce/ii? aoiia?aoi?

IAeANUeEI? AeA?AEAAII? EIINA?AAOI?I? ii. A.A.IAAEAeAIIAI?

Iaoeiaee ea?iaiee – IA?EIAA IEAIA IEEIEA?AIA,

aeieoi? ienoaoeoaiciaanoaa,

i?ioani? eaoaae?e inoi?i? ioceee

oa ioce/ii? aoiia?aoi? Iaeanueei?

aea?aeaaii? eiina?aaoi?i?

ii. A.A.Iaaeaeaiiai?

Ioioeieii iiiiaioe – AeAIAIEI AI?EN AAAeEIIAE*,

aeieoi? ienoaoeoaiciaanoaa, aeioeaio,

Ee?anueeee aea?aeaaiee iinoeooo

eoeueoo?e i ienoaoeoa

?IUEIA OAOssIA IEAENAIAe?IAIA,

eaiaeeaeao ienoaoeoaiciaanoaa,

aeioeaio, Iaoeiiiaeueia ioce/ia aeaaeaiiy

Oe?a?ie ii. I.I.*aeeianueeiai

I?iaiaeia onoaiiaa – Oa?eianueeee aea?aeaaiee iinoeooo

ienoaoeoa ii. I.I.Eioey?aanueeiai

Caoeno aeena?oaoei? aiaeaoaeaoueny ” 25 ” eenoiiaaea 1998 ?. i 15
aiae. 30 oa. ia caniaeaiii niaoeiaeiciaaii? a/aii? ?aaee Ae 50. 27. 01
ii caoenoo aeena?oaoeie ia caeiaoooy iaoeiaiai nooiaiy aeieoi?a iaoe
Iaoeiiiaeueii? ioce/ii? aeaaeaii? Oe?a?ie iiaii I.I.*aeeianueeiai ca
aae?anith: 252001, Ee?a, aoe. A?oioaeoi?a Ai?iaeaoeueeiai 1/3, 2-e
iiaa?o, aoae. 36.

C aeena?oaoei?th iiaeia iciaeiieoenue o aiaeiioaoei Iaoeiiiaeueii?
ioce/ii? aeaaeaii?.

Aaoi?aoa?ao ?icineaii ” 23 ” aeiaoiy 1998 ?.

A/aiee nae?aoa? niaoeiaeiciaaii? ?aaee

eaiaeeaeao ienoaoeoaiciaanoaa, aeioeaio

I.I.EIOAIEE

Oai?/inoue Aaeaeia ? iaae/a?iiei aeaea?aeii aeineiaeieoeueeeo iiooeia,
ai ieoaiiy eiai eiiiiceoi?nueeiai noeeth caeeoathoueny aei eiioey ia
c’yniaaieie e aeini. Ioaeieaoeiy oai?ia Aaeaeia, cie?aia oi?oaiiaiieo,
ca o?oaenoaie ?icii/aeany eeoa a inoaiii aeanyoeeiooy. Nooo?aei aoa
aianie Aaeaeia ye ia?oiai i?aaenoaaieea aiaeainueei? eeane/ii? oeiee
o noaiiaeaiiy iiaeo aeai?ia oa oi?i iino?oiaioaeueii? ioceee. AEai?
oi?oaiiaiii? niiaoe caeiaa na?aae ieo /e ia iaeaaaeeeaioa iinoea.

O ?inienueeie oa oe?a?inueeie ioceeiciaa/ie eioa?aoo?i oi?oaiiaiii
niiaoe E.Aaeaeia ?icaeyaeathoueny eeoa aeai?eiai e iiaiaeii o
i?aoeyo A.Anao’?aa, A.Aeueoaaiaa, I.Aeeeaeoi?nueei?, I.Ai?thoiii?,
TH.E?aieueiaa, O.Iiiiai?, I.?aaeiiae/a. Iaeiae o aeiaeiie c i?aoeue
caaaeaieo aaoi?ia iaiaa aiaeico ?aiiio niiao, noai?aieo o 1760-1770-o
?ieao. Oei niiaoe, ia aeaeue, iaii?othoueny e oeeaaea/aie aea?aieo
niiaoieo oai?ia eiiiiceoi?a, ?aaeaeoi?aie-oii?yaeieeaie cai?ie eeane/ieo
niiao. Ia caa?oathoueny aei ieo i aeeiiaaoei. Aeaeaiiy ?aiiio niiao
iiaeia ?icooeaoe eeoa o aeayeeo o?oaenoao (E.Eaiaeii, 1966, Aano?iy,
A.Oaaea?, 1965, Iiia//eia). O aeaiie ?iaioi aea/aiiy ?aiiio niiao
Aaeaeia ni?yiiaaia ia aeciaiiy oeyoia ?o aaaaeaiiy o aeeiiaanueeo
i?aeoeeo. Iieaciai, ui o iaeaieueo iiaii cai?ee niiao eiiiiceoi?a
ana ae ia aeeth/athoueny iaeeiaaeoeyoue ic caaaeueiiai /enea
aeaaaeoeyoe aeaio ?aiiio oai?ia. Oea iiynithaoueny i?aaiaiiyi
?aaeaeoi?ia aiaeia?aoe eeoa c?acee, ui caeathoueny ?i aeeae/eie aei
c?ieiai noeeth Aaeaeia.

Iaeiae ani aac aeiyoeo ?aiii niiaoe iathoue iaaaeyei ooaeiaeii
yeinoi, ui iiaeiii c?iaeoe ?o i?eaaaeeaeie aeey aeeiiaaoeia oa aeey
aeei?enoaiiy a o/aiaiio ?aia?ooa?i. Oei oai?e oeieaai e oei, ui
aiaee?eaathoue aeineiaeieeai oeyoe oi?ioaaiiy aaoi?nueeiai noeeth,
aeaiiino?othoue oai?/i ciaoiaeee, iiooee o aaeoci oi?ie, oaiaoecio,
ae?ioaiiy i?iaeaie oeeeeo. Iinoaiiaea i c’ynoaaiiy oeeo ieoaiue
iaaeathoue cai?iiiiiaaiiio aeena?oaoeieiiio aeineiaeaeaiith a e o o
a e ue i i n o i.

I n i a e n o e e a i a n i e aeena?oaioa o aea/aiiy ?aiiio
niiao Aaeaeia iieyaaa o caeieniaiii iaoeiai iaa?oioiaaiii aeanii?
?aaeaeoei? oai?ia, iaienaieo aei 1766 ?ieo. ?aaeaeoi?nueeie ?iaioi
ia?aaeoaaei a?oioiaia aeineiaeaeaiiy noeeueiaeo i?ioeania
cacia/aiiai /ano, iniaeeainoae nenoaie iioiiai caieno, a oaeiae aiaeic
anio neeaaeiaeo ia?aciiai ciinoo, oi?ie, ioce/ii? iiae ia?aieo oai?ia.
?aaeaeoi?nueei aeiiiaiaiiy oa ooi/iaiiy noinoaaeeny aeeiaiiee,
aaiaiee, o?acoaaiiy, a?oeeoeyoei?, ?icoeo?iaee iaeiciaoeee. Anii
aeuacacia/aiei iaoiiaeaia i a o e i a a i i a e c i a aeena?oaoei?.

Ioceeiciaa/ee aiaeic niiao, i?iaaaeaiee o ?iaioi, ni?yiiaaii ia
aeeiiaanueeo i?aeoeeo, ae?ioaiiy niaoeeoi/ii aeeiiaanueeeo oai?/eo
caaaeaiue. Ie?ii oa?aeoa?enoee oaiaoecio, caniaia eiai ?icaeoeo,
aiaeico oi?ie, niinoa?aaeaiue, ui noinothoueny a?oioaeoiiiee oeeeeo,
iniaeeaa oaaaa ni?yiiaaia ia aeeiiaanueei ?aia?ee oa c’ynoaaiiy ?o
nooiinoi. Aaaeeeaeie noeeinoe/ieie iciaeaie neoaoaaee ca /ania Aaeaeia
i?iaiaioeea oa iaeiciaoeea. O aeena?oaoei? a i a ? o a iiaeaaoueny
iiaee?iieaia iioieie i?eeeaaeaie nenoaiaoecaoeiy i?iaiaioeee
eiiiiceoi?a. Aeieeaaeiee aiaeic ?aiiio niiao oaeiae cae?eniththoueny a
ia?oa i noa? iiaeoaa?aeaeaiiyi iaoeiai? iaa?oioiaaiinoi
cai?iiiiiaaii? aeeiiaanueei? ?aaeaeoei? aaoi?nueeiai oaenoo.

I a o a ?iaioe – aiaeic niiao Aaeaeia 1760-1770-o ?ieia c oi/ee ci?o
?o noeeinoeei – ooaeiaeiuei? naiinoieiinoi, a oaeiae caeieniaiiy i
iaoeiaa iaa?oiooaaiiy ?o aeeiiaanueei? ?aaeaeoei?.

Aiaeiiaiaeii aei iaoe aecia/aii c a a ae a i i y ?iaioe:

1. Iaeyae eeaai?ieo niiao E.Aaeaeia o eiioaenoi ?icaeoeo aeai?o
eeaai?ii? niiaoe o ea?iiaenueeie ioceoei ia?oi? iieiaeie XVIII no.

2. Aiaeic niiao 60 – 70-o ?ieia XVIII no. o inoi?eei-noeeinoe/iiio oa
aeeiiaanueeiio aniaeoao.

3. ?aaeaeoeiy oaenoo ?aiiio niiao Aaeaeia i iaa?oiooaaiiy ?? iaoeiai?
?icaaaeeeainoi oa i?aeoe/ii? aeioeieueiinoi.

I a o i ae i e i a i / i i th a a c i th aeineiaeaeaiiy neoaoaaee
iaoeiao eiioeaioei?, ui noinothoueny oai?i? aeeiiaanoaa (i?aoei
I.Aeaen??aa, A.Anao’?aa, E.Aa?aiaieia, E.Aiicao?aa,
I.Aieueaeaiaaeca?a, E.Aioiaia, A.Eiaaia, A.Iaeaaoca, A.Oieiiiai?),
iiaeoiaee aei iaoeiaiai ?aaeaaoaaiiy, cai?iiiiiaai?
I.Aieueaeaiaaeca?ii, A.Ia?eoeiaei, I.Ieoaeeiaei, iiaeyaee ia noaiiaeaiiy
oa ?icaeoie niiaoii? oi?ie A.Aaa?oa, N.Aiaaoe?ueiaa, I.Ai?thoiii?,
A.Eeeiiaeoeueeiai, TH.Otheiia, TH.Oieiiiaa oa ii.

? a c o e ue o a o e a i i n o ue i?iaaaeaiiai aeineiaeaeaiiy iieyaa?
o ?icoe?aiii inioth/eo oyaeaiue i?i ?aiiueieeane/iee aoai noaiiaeaiiy
eeaai?ii? niiaoe, o iiiiaiaiii aeeiiaanueeiai eeane/iiai
?aia?ooa?o caaaeyee cai?iiiiiaaiei ?aaeaeoeiyi iaei aiaeiieo i
caeaaieueoiai aiaenooiio a oe?a?inueeeo aiaeiioa/ieo cia?aiiyo niiao
Aaeaeia. Aeena?oaoeiy ? iniaenoei aianeii aaoi?a o aea/aiiy noeeth
Aaeaeia ia i?eeeaaei eiai eeaai?ii? oai?/inoi,

a oaeiae o c’ynoaaiiy nooi aeeiiaanueeeo i?iaeai no/aniiai
ooieoe?iioaaiiy eiai iainyaeii? ioce/ii? niaaeueie.

Ana aeuacacia/aia naiae/eoue i?i i ? a e o e / i o oe i i i i n o ue
aeineiaeaeaiiy. Aiii iiaea noaoe o i?eaiaei ioceeaioai-aeeiiaaoeyi,
ni?eyoe iiiiaiaiith eiioea?oiiai oa iaaeaaiai/iiai ?aia?ooa?o. Aeniiaee
i niinoa?aaeaiiy aeena?oaoei? iiaeooue aooe aeei?enoaieie o eo?nao
inoi?i? ca?oaiaeii? ioceee oa inoi?i? aeeiiaanoaa.

?iaioo aoei aeeiiaii ca ieaiii iaoeiaeo aeineiaeaeaiue Iaeanueei?
aea?aeaaii? eiina?aaoi?i? ii,I.Iaaeaeaiiai?. A i ? i a a oe i y iniiaieo
iieiaeaiue aeena?oaoei? caeienithaaeany iiae /an ?? iaaiai?aiiy ia
eaoaae?ao inoi?i? ioceee oa niaoeiaeueiiai oi?oaiiaii Iaeanueei?
eiina?aaoi?i?, ia caniaeaiii aiaeaeieo niaoeoi?oaiiaii Iaeanueei?
niaoeiaeueii? ioce/ii? oeiee ii. i?io. I.N.Noiey?nueeiai. Aeena?oaoeith
oaeiae ?icaeyiooi i noaaeaii ia caniaeaiii iaoiaee/ii? ?aaee
Oa?eianueeiai iinoeoooo ienoaoeoa ii. I.Eioey?aanueeiai, ia cia?aiii
Annioeiaoei? iaaeaaiaia-iiaiinoia Oe?a?ie. Aeanyoue niiao Aaeaeia o
?aaeaeoei? aeena?oaioa aeeth/aii aei iaaeaaiai/iiai ?aia?ooa?o
Iaeanueei? eiina?aaoi??? (eean i?io. E.I.Aiicao?a).

Aieiaii oai?aoe/ii iieiaeaiiy aeena?oaoei? caoieniaaii o
ioaeieaoeiyo aaoi?a.

Ae e n a ? o a oe i e i a ae i n e i ae ae a i i y ianyaii 180
noi?iiie n e e a ae a ? o ue n y ic Anooio, /ioe?ueio ?icaeieia,
caaaeueieo Aeniiaeia, Nieneo aeei?enoaieo aeaea?ae, yeee ia? 153
iaeiaioaaiiy i Aeiaeaoeia (106 noi?iiie).

CIINO AeENA?OAOeI?

O Anooii c’yniao?oueny aeooaeueiinoue aea?aii? oaie, aecia/a?oueny
i?aaeiao oa iaoa aeineiaeaeaiiy, aeoeaioo?oueny eiai iaoeiaa iiaecia oa
i?aeoe/ia ni?yiiaaiinoue. Aaoi? ii/eia? ?icaeyae inoi?i? eeaai?ii?
niiaoe c aeaoaeueiiai iaeyaeo ii/aoeiaiai aoaio ?? oi?ioaaiiy, ui
caeia? oeiea noieiooy, ?aooth/e aiae aeoiaeo cai?ee O?aneiaaeueaei
“Fiori musicali” (1635) i aei i?eaeeoo?ai? ioaeieaoei? o?eaeoeyoe
eeaai?ieo niiao Ae.Nea?eaooi. Aeey c’ynoaaiiy aeoieia aeai?o
aiae?co?oueny aieueo caaaeueiee eiioaeno naiinoieiiai ?icaeoeo
iino?oiaioaeueii? ioceee oa i?ioeane ?? aiaeaaeoaeaiiy aiae ioceee
aieaeueii? oa aieaeueii-iino?oiaioaeueii?. Oea ca/?ia? oaeiae eiei
i?iaeai, iia’ycaieo ic noaiiaeaiiyi an??? nenoaie ioce/ieo aeai?ia
aa?iei.

O anooii aea?oueny iaeyae eioa?aoo?e ii anio aniaeoao i oaiao, ui
ca/iiathoueny o aeineiaeaeaiii.

I a ? o a a e a a a ia? iacao “Oeyoe ?icaeoeo eeaai?ii? niiaoe o
?a?iiaenueeie ioceoei ia?oi? iieiaeie XVIII noieiooy”.

O iie iacaaii iiaia iiia?aaeieeia Aaeaeia o aaeoci eeaai?ii? niiaoe i
ei?ioei ioa?aeoa?eciaaii aianie eiaeiiai o ?icaeoie aeai?o.

A?aoiaoth/e aeniiaee aeineiaeieeia, oai?/inoue Ae.O?aneiaaeueaei iiaeia
aaaaeaoe ii/aoeii oeyoo oi?ioaaiiy eeane/iiai niiaoiiai allegro, ai
?iciiiaiioiinoue oai?/eo ni?yioaaiue oeueiai eiiiiceoi?a iaaeaea ii/aoie
?icaeoeo oaeeo oi?i, ye aa?iaoei?, nth?oa, ia?oeoa. O oai?/inoi
O?aneiaaeueaei c’yaeeeny ii/aoee iaeaooiuei? oi?ie niiaoiiai allegro.
Iinooiiai oi?io?oueny i?eioeei, yeee aoaea aieiaiei aeey niiaoe: iieac
iniiaii? oaie oa ?? ?icaeoie.

O oai?/inoi A.Ei?aeei – niaaeei?ioey o?aaeeoeie aieiinueei? oeiee –
aecia/athoueny ia?aaeoiiae aeey oi?ioaaiiy i ?icaeoeo noa?iaeiii?
niiaoe. Iathoueny ia oaaci i eiei ioce/ieo ia?acia, i eiio?anoiinoue
/anoei oeeeeo, i oa?aeoa?ia cinoaaeaiiy oai o iiaieueiiio oa oaeaeeiio
?oni, a oaeiae iiyaa ae?acieo iaeiaeie oe?ieiai aeeoaiiy.

Oaeoe/ieie aaoi?aie ia?oeo niiao aeey eeaai?a noaee A.Ianeoiii oa
eiai ciaiaieoee o/aiue Aeiiaiiei Nea?eaooi (1685 – 1757).I?e anie
?iciiiaiioiinoi aieeaia, ianoaaieueiinoi no?oeoo?e, ianeiaeoaaiiy
ie?aieo iciae aaaaoueio aeai?ia oiai /ano o ?aiiie eeaai?iie niiaoi, ui
i?aaenoaaeaia o oai?/inoi Nea?eaooi oa eiai iineiaeiaieeia,
aiaeaoaathoueny e?enoaeicaoeiy niiaoiiai oaiaoecio, aecia/aiiy eiai
ooieoeie, i?eioeeiia iiaoaeiae, iaoiaeia ?icaeoeo. Iaeaaaeeea?oiai
cia/aiiy iaaoaa? i?e oeueiio iiooe /ioei? no?oeoo?e ii/aoeiai?
oaiaoe/ii? iiaoaeiae – aieiaii? oaie, ui a?ae??ciy?oueny iniaeeaith
iiioeueneaiinoth, eiioeaio?o? a nia? iciaee iiaiai
aiiioiiii-aa?iiiieiiai noeeth i, ca aeniiaeii aeineiaeieeia, noa?
eaieith, ui iaeaieueo aeoeaii aec??aa? I aieeaa? ia eiiiiceoeith a
oeieiio.

Ae.-A. Naiia?oiii i?ineaaeany ianaiia?aae ye oai?aoeue
“ia?aaeeeane/ii? neioiii?” – eiioea?oiiai oai?o, ui aeeiioaaany ye
naiinoieiee o?e/anoeiiee oeeee. E?ii oiai, Naiia?oiii i?iyaea naaa
iiaaoi?ii o aaeoci niiaoe. O eiai oai?ao oeio o?ii-niiaoe aaea
iaiioeeeny ooieoei? /anoei oeeeeo, aieiaii? oa iiai/ii? ia?oi? o
niiaoiiio allegro. Aea eeaai?ii niiaoe Naiia?oiii aeai/anoeiii. Aiie
yaeythoue niaith nai???aeiee neiaiic eeaai?ii?

niiaoe Ae.Nea?eaooi oa ?aianainii? aeai/anoeiii? nth?oe (aiaeiinii
iiaieueii – aeineoue oaeaeei).

Oaeei /eiii, ioaeienueea oeiea cia/ii aieeioea ia eeaai?io oai?/inoue
Aaeaeia, cie?aia, ia oi?ioaaiiy oeeeeo (aeai-, o?e oa /ioe?e/anoeiii
i?eeeaaee ?aiiio niiao), aiiioiiiiai neeaaeo oaeoo?e (oea i?iyaeeiny a
iii?i ia oaioethaaeueiinoue, iniaeeai o aeai?iaeo /anoeiao), ia
?icaeoie oaiaoecio (i?eeeaaee aa?iaoeieiinoi, niianoaaeaiiy oa
eiio?anoo), ia ?icaeoie oa cia/aiiy oai o niiaoiiio allegro (?ieue
aieiaii? oa iiai/ii? ia?oie o aeniiceoei? oa ?ic?iaoei).

Iniaeeaa noi?iiea a inoi?i? eeaai?ii? niiaoe – o?aioeocueea eeaai?ia
oeiea. Oea oai?/inoue O.Eoia?aia, AE.O.?aii oa E.E.Aeaeaia.

O.Eoia?ai i?iaeiaaeoaaa o?aaeeoei? eeaaaneiinoia AE.O.Oaiaiiue??a,
AE.A.Ae’Aiaeaaa?a. A nth?oao Eoia?ai caa?ioany aei aieueiiai oeeeeo,
yeee aoaeoaaany ca i?eioeeiii ?iciiiaiioiinoi, iiaeiaiinoi oa eiio?anoo
iiiiaoth?. Ciaiaieoee ioce/iee oai?aoee i eiiiiceoi? AE.O.?aii o ia?oo
iieiaeio naiai oai?/iai oeyoo noai?ea aeecueei i’yoaeanyoe
nieueieo eeaaaneiieo i’?n, ia’?aeiaieo a i’youe nth?o. O nai?o
nth?oao ?aii aeoiaeeoue ca iaaei eaia?iinoi, i?aaio/e aeaei?aoeaiiai
ienueia, aeei?enoiaoth/e iiai oaoii/ii i?eeiie. E.E.Aeaeai ienaa
aieiaiei /eiii o noeei ?ieiei. Eiio i?eoaiaiii aeoii/aia
aaeaioiinoue, aaaaonoai i?ee?an, aeei?enoaiiy i?eeiiia oiao?aoeieiiai
aa?ithaaiiy oai, i?ici?a aiiioiiia ienueii.

Iaiaoiaeii aeciaoe, ui o?aioeocueea eeaai?ia oeiea iaea aaeeeee aieea
ia eeaai?io oai?/inoue E.Aaeaeia. Oea, ii-ia?oa, i?iyaeeiny o yniie oa
i?ici?ie iaeiciaoeoei, yea eaea aiae o?aioeocueeiai ?ieiei, oa neioaco?
a niai iiiaoeueeo no?eiaiinoue oa o?aioeocueeo aeoii/aiinoue i ethaia
aei aa?ithaaiiy.

Ia?aae ?noi??th niiaoii? oi?ie iaiaoiaeii ooeaoe o iaae?ao
iieioiii/ii? ioceee oa ?? aaciina?aaeiueiio iiia?aaeieeo –
noa?iniiaoiie oi?ii, eio?o, ye a?aecia/a? I.Ai?thoiia, ia iiaeia
iia’ycoaaoe eeoa c iaei??th e?a?iith aai iaoeiiiaeueiith oeieith. sse
aaaaeathoue aeineiaeieee, ae?ioaeueio ?ieue o noaiiaeaiii niiaoii?
oi?ie aiaeia?aee oaei eiiiiceoi?e, ye A.Aaiaeaeue, E.N.Aao,
O.A.Aao.

O oai?/inoi A.Aaiaeaey noi?ioaaeeny iniiaii ?ene noa?iaeiii? niiaoii?
oi?ie: aiiioiiiee oaiaoeci, aeai/anoeiia eiiiiceoeiy, oiiaeueii
niiaaiaeiioaiiy o ia?oie /anoeii. Oia?oa c’yaeany i caoaa?aeeany
iniiaiee i?eioeei niiaoiinoi – niianoaaeaiiy i?ioeeaaeieo ia/ae
(niiaaiaeiioaiiy aieiaii? i iiai/ii? oiiaeueiinoi i oaiaoe/iee
eiio?ano). Aaciina?aaeiuei i?ioean noaiiaeaiiy oi?ie niiaoiiai allegro
i?ioiaeea o nooi iieioiii/ieo oi?iao. Oea iaeyne?aa?oa i?inoaaeo?oueny
o oai?/inoi E.N.Aaoa, i?e/iio a onio oai?ao aieaeueii? oa
iino?oiaioaeueii? ioceee.

Iieioiii/ia oi?ia E.N.Aaoa nai?i oiiaeueiei ieaiii (O – Ae, Ae – O)
aeia?aaeaea? eiiiiceoeieio no?oeoo?o noa?iniiaoii? oi?ie. Aeinyaiaiiy
E.N.Aaoa o oeie noa?i: aeniiceoeiy eiio?anoia oiiaeueiinoae, eaaeo,
caniaia aeeeaaeaiiy, ?icaeoeo no?oeoo?e. Neeaaeathoueny iaaii oeie
oaeoo?e, oa?aeoa?ii no?oeoo?e, ui aiae?iciythoueny o ia?oiyo
aeniiceoei?. ssne?aai ciiie aiaeaoaathoueny o iiai/iie ia?oi? – ooo
e?enoaeicothoueny noieei caeeth/ii oi?ioee, eaaeaine, aeiiiaiaiiy,
iaiaoiaeii aeey noaa?aeaeaiiy iiai? oiiaeueiinoi.

Cia/io ?ieue o ?icaeoeo eeaai?ii? niiaoe aeiaaeaeiianueeiai ia?iiaeo
aiaeia?aa E.O.A.Aao. Caneoaa eiiiiceoi?a iieyaa? ia?aae onii o
?ic?iaoei i aaeineiiaeaiii ua ianoieeeo oi?i, ia?iaeaeaieo a Ioaei? oa
O?aioei?, oiaoi aeeoa?aioe?thaaii? /anoei niiaoe ia iniiai aiioeieiiai
eiio?anooaaiiy i iiaeei?aiiy eiaeii? c ieo aaea aiae/ooiei caeiiai
oaiaoe/ii? ?aeiino?.

Aaeeeei aianeii o ?icaeoie oa noaiiaeaiiy eeane/iiai niiaoiiai
allegro aoea oai?/inoue eiiiiceoi?ia Iaiaaeinueeii oeiee. Aiie, c
iaeiiai aieo, c’?aeiaee aeinyaiaiiy o?ii-niiaoe, i?eano?iai? nth?oe,
iia?ii? oaa?oth?e, c ae?oaiai – nooo?ai aieeioee ia iiaeaeueoee ?icaeoie
ia oieueee neioiii/ii?, a e eaia?ii? ioceee.

Oaeei /eiii, ?icaeyiooo iaie oai?/inoue ioaeienueeeo, o?aioeocueeeo oa
iiiaoeueeeo eiiiiceoi?ia iiaeeeai aaaaeaoe oei aacenii, ia yeiio
aiaeaoaaeeny noaiiaeaiiy, oi?ioaaiiy oa ?icaeoie eeaai?ii? ioceee
E.Aaeaeia.

Noai?aiiy eeaai?ii? ioceee aoei ia?ic?eaii iia’ycaia c niaoeeoieith,
caniaaie i iiaeeeainoyie naiiai iino?oiaioa – eeaai?a – o anio eiai
?iciiaeaeao. Aaciina?aaeiiie iiia?aaeieeaie no/aniiai oi?oaiiaii iiaeia
aaaaeaoe eeaaiei?ae, eeaaioeeiaaee, niiiao, eeaaioeao?ie, eeaaanei.

Aea iai?ee?ioe? XVII no. ioceeaio?a ia?anoaee caaeiaieueiyoe oei
inioth/i iino?oiaioe, iniaeeai eeaaiei?ae (/a?ac neaaeinoue
cao/aiiy) oa eeaaanei ( /a?ac iaoai?noe/i?noue caoeo). Iiaeeeainoi
oaeineiiaeaiiy iaio iino?oiaioia aoee ae/a?iaii. Aeieeea iio?aaa o
noai?aiii iiaiai eeaaioiiai iino?oiaioa, yeee ae ii?aeioaaa o niai
yeinoi iiia?aaeiio oa iaeii/anii aiaeiiaiaeaa aeiiaai oai?oeia oa
neooa/ia.

O XVIII no. iiaa oi?oaiiaii ni?a?nioaaei c eeaaiei?aeii i eeaaaneiii.
Iiae oeeie iino?oiaioaie o?eaaea aeiaaa ai?ioueaa. Nii/aoeo aiie
inioaaee ye oeieeii naiinoieii e ?iaiii?aaii, ineieueee oi?oaiiaii
aoei ua iaaeinoaoiuei aeiaa?oaiei ca ia?iaeie oa caoeiaeie yeinoyie.
Iinooiiai oi?oaiiaii aeoinieei eeaaanei, ui niiaiaei ic caeii/aiiyi
aeiae iieioiii/iiai iino?oiaioaeueiiai noeeth. Ia ia?oee ieai aenooia?
iiaee iino?oiaio – iieioi/eiaa oi?oaiiaii.

Ci niaoeeoieith iino?oiaioa?iy oinii iia’ycaii i?iaeaie aeeiiaanoaa. O
XVIII no. aeieeathoue aeai iaia?e eeaai?ii? a?e: legato oa non
legato. A?a legato aoea aieueo oa?aeoa?iith aeey eeaaiei?aea. Aiia
eoeueoeaoaaeany a Iniaii? oa O?aioei?. A?a non legato iia’ycaia c
Aiaei?th, Ioaei?th oa Iiia//eiith. O oie /an aeeiiaaoeia oeieaaeee o?e
noa?e a?e ia eeaai?i: i?aaeeueia iinoaiiaea iaeueoeia, aeia?i i?ee?ane,
aeia?a aeeiiaiiy.

O XVIII no. a Ioaei? neeaaea?oueny iiaa ?icoi?iiy aeeiiaanoaa,
caaaeyee cia/iiio aieeao ne?eieiaiai oa iia?iiai ienoaoeoaa, a
oaeiae noeeth aaeueeaioi. Iaaeeaeaiiy cao/aiiy iino?oiaioa aei
ae?aciinoi ethaenueeiai aieino noa? iniiaiith oaiaeaioe??th o
aeeiiaanoai.

Oaeei /eiii, noeneee inoi?e/iee iaeyae oeyoia ?icaeoeo eeaai?ii?
niiaoe cana?ae/o? oaea.

O ?aieao iaeii/anoeiiinoi noi?ioaaeanue o?eeiiiiiaioia niiaoia oi?ia,
yea neeaaeaeany c aeniiceoei?, ?ic?iaioee oa ?ai?ece. A oeie oi?ii
iaiioeeeny ooieoei? ia?oie a aeniiceoeieiiio ?icaeiei. Aieiaia oaia
? iini?i aieiaii? aeoiee, aiia aea? iaoa?iae aeey ?icaeoeo. Iiai/ia
ia?oiy oi/a e ia?iaiii?aaia c aieiaiith, i?ioa, eiio?anoia ?e, i oea
oaeiae oiiaeeeaeth?? iiaeaeueoee ioce/iee ?icaeoie.

A aeniiceoeieiiio oa ?ai?eciiio ?icaeieao c’yaeeeny /ioei oiiaeueii
niiaaiaeiioaiiy. Aieiaia oaia i?ioiaeeoue a iniiaiie oiiaeueiinoi, aeaei
eaea ia?aoiae a oiiaeueiinoue aeiiiiaioe i o iie aaea cao/eoue
iiai/ia oaia. A ?ai?eci iiai/ia i?ioiaeeoue a iniiaiie
oiiaeueiinoi, noa? ?? cae?iieaiiyi.

Aeieea? iiaee niiaoiee i?eioeei ?icaeoeo, caniiaaiee ia /ioeiio,
yne?aai oa?aeoa?iiio oaiaoecii. I?eeeaaeii oeueiai ? aieiaii oaie a
aeniiceoei?, yei aeathoue aaaaoee iaoa?iae aeey ?icaeoeo o
?ic?iaeiaiio ?icaeiei. Iiae /an i?iaaaeaiiy oeeo oai o ?ai?eci
aeieea? ii/oooy niieueiinoi oa caaa?oaiinoi.

Iinia iaiiaia iinoea aiiioiiii-aa?iiii/iee noeeue aeeeaaeaiiy. Oea
noino?oueny aaea ia oieueee aieiaii? aai iiai/ii? oaie, a e ani??
niiaoe.

Niiaoa noaea o?aeooaaoeny ye oeeeei/ia oi?ia, ooaa?aeeany o?e/anoeiiee
oeeee, iniiaaiee ia eiio?anoiiio niianoaaeaiii /anoei.

Ia oeie aaci noai?thaaeeny ?aiii niiaoe E.Aaeaeia.

Ae a? o a a a e a a a ia? iacao “Iaeyae eeaa??ieo niiao E.Aaeaeia.
?aiii niiaoe o eiioaenoi oai?/inoi eiiiiceoi?a 60-o ?ieia XVIII no.”.
Oi/ia eieueeinoue eeaai?ieo niiao E.Aaeaeia iaaiaeiia. Eaoaeia
Aioiii aai Oiaieaia (iaeiiaiioee eaoaeia oai?ia E.Aaeaeia, aeaeaiee
o Iaeioei, 1957 ?.) o?eno? 55 niiao, oi/a o iioe?aieo aeaeaiiyo ?o
iaaaaaoi iaioa (iaeiiaiioa – iiae ?aaeaeoe??th E.Ia?oiinaia, 1937 ?.,
o yeiio cia?aii 52 niiaoe).

Iaeaieueoo eieueeinoue niiao Aaeaeia iinoeoue “Aiaeainueeee o?oaeno”
(“Wiener Urtext Edition”), oii?yaeiee E.Eaiaeii, aeaeaii o Aoaeaiaooi o
1973 ?. A oeueiio o?oaenoi iinoeoueny 62 niiaoe, c yeeo 7 i?aaenoaaeaii
oieueee ii/aoeiaeie oaiaie ( NN 21 – 27), ineieueee iioe oeeo oai?ia
caaoaeaii i caa?aaeeny eeoa aieia?aoi? eaoaeiaia ?iaio E.Aaeaeia
(“Entwurf Katalog”). Aeayei niiaoe (NN 1, 2, 4, 6, 7, 9, 10, 14, 17,
18, 19, 28, 40, 41) i?aaenoaaeaii oieueee o aeaiiio o?oaenoi. A
iioeo aiaeiieo aeaeaiiyo aiie aiaenooii.

Oai?/inoue E.Aaeaeia iiaeia iiaeieeoe ia oaei ia?iiaee: I – 1732 –
1759 ??., II – 1760 – 1790 ??., III – 1790 – 1809 ??.

O ?aiiie ia?iiae c’yaeythoueny ia?oa iana (F-dur, 1750), ia?oee
no?oiiee eaa?oao (1755), ioceea aei “E?eaiai Aino” E.Eo?oea (1751,
1758).

Ae?oaee iia’ycaiee c ia?a?caeii E.Aaeaeia aei Anoa?oaco, eiai
iae?oaeaiiyi c A.Eaeea?. C’yaeythoueny ia?oa neioiiiy (1750) oa ia?oa
eeaai?ia niiaoa (1760).

O?aoie ia?iiae iia’ycaiee ci nia?oth I.Anoa?oaci i ia?a?caeii
E.Aaeaeia aei Aiaeiy. Oei ?iee iane/aii ii?caeeaie, aano?ieyie (Aiii,
A?thnnaeue, A?enoieue, Eiiaeii). Iaienaii inoaiii niiaoe (NN 59-63),
eaa?oaoe (NN 69-83), neioiii? (NN 93-104), i?aoi?i? “Noai?aiiy naioo”,
“Ii?e ?ieo”, iane.

Ia?iiaeecaoeiy eeaai?ieo niiao ia ni?aiaaea? c ia??iaeecaoe??th
oai?/inoi E.Aaeaeia a oeieiio. Ie i?iiiio?ii ?? oaeiae ?icaeieeoe ia
o?e ia?iiaee: I – aei 1766 ?. (NN 1-29); II – 1767- 1781 (NN 30-53); III
– 1782-1795 (NN 54-62).

Aei ia?oiai ia?iiaeo oaieoee niiaoe, iaienaii aei 1766 ?. aeeth/ii.
Oea – ii/aoie oi?ioaaiiy noeeth, iiooeia o aaeoci eeaai?ii?
niiaoe. Aei ae?oaiai ia?iiaeo oaieoee niiaoe, aieueo uieueii
iia’ycaii c iiaeiyie iniaenoiai aeeooy eiiiiceoi?a. O?aoie ia?iiae
ii/eia?oueny ic ciaeiinoaa Aaeaeia c A.A.Iioea?oii. Aeieeathoue iiai
i?eeiie ?icaeoeo, iiaee oaiaoeci.

Oi/iiai aeaooaaiiy eiaeii? c niiao ia inio?. Aiaeiii, ui ia?oa
eeaai?ia niiaoa c’yaeeany o 1759 ?. ?aooa iiii/aii o aeineiaeaeaiii
oa o?oaenoao aeaoaie “aei 1766 ?ieo”. “Aiaeainueeee o?oaeno”
E.Eaiaeii aeeth/a? 29 niiao, iaienaieo aei 1766 ?ieo.

Iaiaoiaeii aiaecia/eoe, ui Aaeaeia ia ?aiiueiio aoaii oai?/inoi
oeieaaeee ?iciiiaiioii i?iaeaie. Oea ieoaiiy oeeeeo oa i?iaeaie
niiaoiiai allegro, noaiiaeaiiy oa i?eioeeie ?icaeoeo oaiaoecio,
ieoaiiy iioeaii-oaiaoe/ii? ?ic?iaee, ?iciiiaiioiinoue oi?i o
oeeeei – aiae nth?oe aei aa?iaoeie oa ?iiaei, iiaeeeainoi iino?oiaioia.
Oea eiei i?iaeai iaiiaeeeai aoei ae?ioeoe aeeeth/ii o aeai?i eeaai?ii?
niiaoe, neioiii? aai eaa?oaoo. Inioaaa aca?iica’ycie oa aca?iiaieea
oeeo aeai?ia. Oaeei /eiii, ? iiaeeeainoue aiai?eoe i?i aieea aeai?a
neioiii? ia aeai? eaa?oaoo oa eeaai?ii? niiaoe. I iaaiaee. Oeae aieea
iiaeia aiae/ooe aaea c ia?oeo oai?ia, cie?aia, oaeeo, ui iaienaii aei
1766 ?ieo.

?icaeyaeath/e ?aiii niiaoe Aaeaeia, iaiaoiaeii caoaaaeeoe, ui o ieo
ia?aaaaeathoue iaaei?ii oiiaeueiinoi (eeoa niiaoa N 19 iaienaia a
oiiaeueiinoi e-moll). Eiiiiceoi? aeei?enoiao? oiiaeueiinoi c iaaaeeeith
eieueeinoth eeth/iaeo ciaeia ( aei o?ueio, eeoa iaeia niiaoa iaienaia
a oiiaeueiinoi E-dur), i?e/iio ia?aaaaeathoue oiiaeueiinoi aei?ciiai
iaoeeo. A ?aiiio niiaoao ia?aaaaea? o?e/anoeiiee oeeee (oinoiaaeoeyoue
c aeaaaeoeyoe aeaio), aeai niiaoe /ioe?e/anoeiii, ?aooa – aeai/anoeiii.
Iaioao aeeiio? ?ieue ae?oai? /anoeie a iaeeiaaeoeyoe niiaoao, ?ieue
o?aouei? – a aeanyoe. Aeai niiaoe iaienaii aac iaioaoa, o niiaoi N 19
o?aoy /anoeia iiii/aia aaoi?nueeith ?aia?eith “Tempo di Menuet”.
Oa?aeoa?ii oa, ui o iaioaoao ? na?aaeiy /anoeia – o?ii. A aeanyoe
niiaoao ia?oa /anoeia iaienaia o iiaieueiiio oaiii (Andante aai
Moderato). Ia?oa /anoeia niiaoe N 7 yaey? niaith oaio c aa?iaoeiyie
basso

ostinato, oi/a eiaeia c aa?iaoeie iiaea aooe i?aaenoaaeaia ye oaiaoeue
eeane/ii? nth?oe (oaia – aeaiaiaea, 1 aa?iaoeiy – eo?aioa, 2 aa?iaoeiy –
aaaio, 3 aa?iaoeiy – aeeaa).

Iiaeaiaey/e iiaenoiee, iiaeia aeaoe oa?aeoa?enoeeo ?aiiueiio noeeth
Aaeaeia. sse aiaeii/athoue aeineiaeieee, aeoaea aaeeeei ? cia/aiiy
Aaeaeia a iaeanoi iioiiaoei? oa iaeiaeecio. Iaeia c aieiaieo yeinoae
– oea ia?iaeiinoue iaeiaeecio, caa?iaiiy aei oieueeei?o
aano?ieoeia, /aoia, oai?oeia, oeeaai, na?aia oa ii.

Ca aeoieith A.Anao’?aa, yne?aaei inoi?e/iei yaeuai aoea aa?iiiiy
Aaeaeia, ci nai?ie niaoeeoi/ieie ?enaie, yei i?iyaeeeny aaea ia naiiio
?aiiueiio aoaii. Oea noino?oueny aaaaeaiiy oa ?icaeoeo
iaaei?i-iiii?iiai eaaeo, caieueoaiiy ?iei noaaeiiiiaioiaeo aa?iiiie,
oe?ieiai aeei?enoaiiy iaoo?aeueii? iaaeiaioe.

Iaeaieueo aecia/ia iaaeaaiiy ?aiiuei? oai?/inoi Aaeaeia –
oi?ioaaiiy eeane/iiai niiaoiiai allegro. Caaa?ooth/e ?aiiie ia?iiae,
Aaeaei i?eoiaeeoue aei /ioeiai ca oi?iith oa iaiiaiaiiai ca ciinoii
oeio oi?ie, yeee noa? iniiaiei ia iiaeaeueoi aeanyoe?i//y.

O ? a o y a e a a a ia? iacao “?aaeaeoeiy eeaai?ieo niiao Aaeaeia ye
aiaeaeooy aeeiiaanueeeo o?aaeeoeie i noeeia”.

Noeeue aeeiiaiiy oai?ia ieioeeo noieioue iinoieii ci?iththoueny. C
eiaeiith iiaith aiioith a?aeaoaa?oueny i?ioean “ia?aiioiioaaiiy”
(oa?iii A.Anao’aaa), eiee oai?, ui aeiee a iaeio noeeinoe/io
aeiao, aiaeoai?th?oueny a oiiaao iioiai /ano. Oaeie ciiii ni?ey?
?aaeaaoaaiiy aaoi?nueeeo oaenoia, aaaeaiiy ?aaeaeoi?a ?ic’ynieoe iaii?e
eiiiiceoi?a, iaaeeceoe eiai cao/aiiy aei no/aniiai ?icoiiiiy.

C na?aaeeie XIX – aei ii/aoeo XX noieiooy c’yaeythoueny ?aaeaeoei?,
ui ia aeoaea aiaeiiaiaeathoue noeeth aiioe eiiiiceoi?a. ?o iiaeia
aiaeianoe aei oae caaieo “?iiaioe/ieo” ?aaeaeoeie. Aei na?aaeeie XX
noieiooy ia?aaaaeathoue ?iciiai ?iaeo o?oaenoe, ui nie?athoueny ia
?oeiiene i ia?oi i?eaeeoo?a? aeaeaiiy eiiiiceoi?a. Oaei ?aaeaeoei?
iiaeia iacaaoe “aea?iiaioecoth/eie” (oa?iii A.Ia?eoeiaa).

Ca o?iiieia??th iaeaieueo ?aiiueith ? ?aaeaeoeiy I.Iioaeana
(i?eaeecii, 1850 ?.), aei aiaeico yei? ie caa?oa?iiny o ia?oo /a?ao. O
?aaeaeoei? Iioaeana aeaeii i?aaiaiiy aeayei? ?iiaioecaoei? ioceee,
iniaeeai o cacia/aiii iaaeaeicaoei? oa aeeiaiiee. Oaea ?aaeaeoeiy ia
iiaiinoth a?aeiia?aea? noeeth aaeaeiianueei? eeaai?ii? ioceee.
Ii-ia?oa, inioth/a ca /ania Aaeaeia iiaa iieioi/eiaa oi?oaiiaii ia
iiaei ioiieoe oaei aaeeei aeeiaii/ii aeiaiaciie,

yei cono?i/athoueny o ?aaeaeoei? Iioaeana. Ii-ae?oaa, iaaeii?ia
aeei?enoaiiy iaaeaei “caiacoaaei” i?ici?ee, yniee oa?aeoa?
aaeaeiianueeiai oaiaoecio. Ui aei o?eaaeeo o?acoaaeueieo eia, oi noa?
ieoaiiy i?i ciinoiaiinoue ianaaeia. Iioaean aaaaea? ianaaei oaoii/ieie
caniaaie, yei ia iathoue iiyeiai cia/aiiy, oi/a aeey Aaeaeia – oea
iaeiaeieia eiiiy, yea inio? o aaaaoueio ?aiiio niiaoao.

Iiiaoeueeee ioceeiciaaaoeue O. ?iiai (1895 ?.) ye i Iioaean aoa
i?aaenoaaieeii Eaeioeicueei? iiaiinoe/ii? oeiee, aea iiciueiai aoaio ??
?icaeoeo. Oey ?aaeaeoeiy ua aieueoa niioai?eea noeeue ?aiiueiai
Aaeaeia. ?iiai aei?aaey? aaoi?nueei oo?eoe, i oiio noa? iaiiaeeeaei aeey
aeeiiaaoey oa aeineiaeieea ?iciaaeoaaoe aaoi?nueeee oa ?aaeaeoi?nueeee
oaeno.

?aaeaeoeiy ?.Oaeoitheea?a (1929 ?., Eaeioeia, 32 niiaoe) aeaiiino?o?
noieeinoue ?iiaioe/ii? aeeiiaanueei? o?aaeeoei? ia ii/aoeo XX no. Aeaia
?aaeaeoeiy i?aaenoaaeaia ye nooi ?iiaioe/ia. Oaeoitheea? iaiaaa?oueny
iineeeoe eaioeeaiiinoue i oe?ioo aaeaeiianueei? ioceee, ianaaeaeoth/e
?iiaioe/iee “niia ia oi?oaiiaii”. Ua iaeei cania ?iiaioecaoei? –
iineeaia iaaeaeicaoeiy, caaaeyee yeie caoooiaothoueny ae?iaii oo?eoe
oa noai?ththoueny oe?iei iaeiaee/ii eiii? i oeiei “iioiee” cao/aiiy.

Aio/eciyio eiiith a ?aaeaeoeiyo i?aaenoaaey? I.I?aniai (1919 ?.,
Iineaa, 36 niiao). O oeie ?aaeaeoei? I?aniai aeio?eio?oueny
aeaaeaii/iiai, o?aaeeoeiiiaeinonueeiai iai?yieo. ?aaeaeoi?
iiaeoiaeeoue aei oai?ia Aaeaeia c ?iiaioe/ieo iiceoeie, aea c
oa?aeoa?iei aeey oi?oaiiaiiiai aeeiiaanoaa ii/aoeo XX no.
aianaiiyi eiino?oeoeainonueeeo aeaiaioia. I/aaeaeii noeeinoe/ii
ia?aiaaee ia c?acie “oi?oaiiaiia eaioeeaia” oa “i?eano?aeueiinoue” XIX
no. – eaeiiici aaciaaeaeueii? a?e. ?aaeaeoeiy A.Aa?oiea (1912 ?.,
Ia?eae, 37 niiao) a?aeaeaa? i?eioeeie eiai iiaiicia. Aieueoinoue nooi
aa?oieianueeeo iicia/aiue aeea?aoaaii ae?iaiei o?eooii, ia aiaeiiio
aiae aaaaoueio aaoi?nueeeo, ui aoei aeineoue iiaei yaeuai. Aa?oie
ci?ith? ii?yaeie ?iciiuaiiy niiao o ?aaeaeoeiyo: ia ca o?iiieiai/iei
i?eioeeiii, a ca nooiaiai neeaaeiinoi. (Oeei i?eioeeiii, ia aeoaea
eiai/iei oa ai?iei, aeaei ei?enooaaeeny aeayei ?aaeaeoi?e niiao
Aaeaeia).

O ?aaeaeoei? E.Ia?oiinaia (1937 ?., Iineaa, 42 niiaoe) caoieniaaia
onoaiiaea ia caa?aaeaiiy aaoi?nueeiai oaenoo a oeieiio, o
iaaeioi?eaiinoi. Ao?o/aiiy ?aaeaeoi?a oaei: ?icoeo?iaea iaeiciia,
i?inoaaeaiiy aaiaiee, aeeiaiiee, o?acoaaiiy, aeacaiiy aei iaaeaeicaoei?.
Aieiaiei ? oa, ui ani ?aaeaeoi?nueei ciiie ae?oeothoueny ae?iaiei
o?eooii aai aa?ooueny o aeoaeee. Oaeei /eiii a?aeaoaa?oueny
?iciaaeoaaiiy ?aaeaeoi?nueeeo i?aaie i aaoi?nueeiai oaenoo. Oaeee oei
iioaoei?, i?e yeiio aeea?aoaaii aeaa ?yaeee eia, aeeiaii/ieo oeacaiue
oiui – aaoi?nueei oa ?aaeaeoi?nueei – io?eiaee iacao “iaiia-o?oaenoia”.
Aiie oa?aeoa?ecothoueny ianooiiei /eiii: 1) aiaenooii eiae
o?acoaaeueiiai oa?aeoa?o i iaaioue “y?one” eia; 2) aiaenooii aeaoaeueii
aeeiaii/ii iicia/aiiy; 3) iaioa aeacaiue oaiiiaeo aiaeoeeaiue,
aeacaiue ia oa?aeoa? aeeiiaiiy; 4) inoeiii aaoi?nueei iicia/aiiy noaee
aieueo ?aeue?oieie.

Oaei yeinoi iiaeia ciaeoe o ianooiieo aeaeaiiyo niiao Aaeaeia: E.Ianea?
(1918-1920), aeaeaiiy A?aeoeiioa i Aa?oaey, Eaeioeia, 42 niiaoe;
A.ae’Aiaei (1920) Ia?eae, 40 niiao; A.Oeeeoa? (1932) Iocaic, 40 niiao;
E.Ia?oiinai (1937) Iocaic, 42 niiaoe; E.?ieciai (1960-1966),
aeaeaaieoeoai “Ioceea”, 36 niiao; A.Cieueoea? (1977), aeaeaiiy
A?aeoeiioa, Eaeioeia, 42 niiaoe.

Oaeei /eiii, iiaeaia ii?iaiyeueia oa?aeoa?enoeea ?aaeaeoeie niiao
Aaeaeia iaaea? iiaeeeainoae i?iaanoe ioceeiciaa/ee aeeiiaanueeee aiaeic
?aiiio niiao Aaeaeia oa i?aaenoaaeoe aeanio eiioeaioeith ?aaeaeoei?
?aiiio niiao. Cai?iiiiiaaia ?aaeaeoeiy ?aiiio niiao Aaeaeia aaco?oueny
ia oaiaeaioei? iaaeeaeaiiy cao/aiiy no/aniiai oi?oaiiaii aei cao/aiiy
eeaaaneio aai iiaiai oi?oaiiaii XVIIIno., iaaeeaeaiiy oa?aeoa?o
aeeiiaiiy aei aiioe Aaeaeia.

I?iiiiiaaio ?aaeaeoeith iiaeia iacaaoe iaiia-o?oaenoii, ineieueee
?icoeo?iaea iaeiciaoeee iaaeanoueny ae?iaieie iioaie, o aeoaeeao
aeacothoueny nooi aaoi?nueei aeaciaee. Oaeiae iiaiinoth caa?aaeaii oni
aaoi?nueei eiai, oo?eoe, aeeiaiiea.

* a o a a ? o a a e a a a ia? iacao “Ioceeiciaa/ee aeeiiaanueeee
aiaeic ?aiiio niiao E.Aaeaeia”. O aeaiie aeaai i?aaenoaaeaii
iienaiiy ?aiiio niiao Aaeaeia ( noai?aieo aei 1766 ?.). I?iaaaeaii
?aaeaaoaaiiy iioiiai oaenoo: i?inoaaeaia aeeiaiiea, aaiaiea,
o?acoaaiiy, a?oeeoeyoeiy, ?icoeo?iaaii iaeicie. Oeae ioceeiciaa/ee
aeeiiaanueeee aiaeic aeicaiey? aeyaeoe iniaeeainoi noeeinoeee ?aiiio
niiao Aaeaeia. Caaaeyee oeueiio aiaeico iiaeia i?inoaaeeoe aeayei iaaei
oai?/inoi Aaeaeia.

O ia?oeo /anoeiao ?aiiio niiao a?aeaoaa?oueny noaiiaeaiiy eeane/iiai
niiaoiiai allegro. O ia?oeo niiaoao c’yaeythoueny ?ene noa?iniiaoii?
oi?ie, iaiiaia ?ai?eca, aaaaoiooieoeiiiaeueiinoue aieiaii? oaie, aeai
iiai/ii oaie, ia?aaeeeo ia i?aaiiiio aano, niiaoia oi?ia aac ?ic?iaee.
Iinooiiai Aaeaei i?eoiaeeoue aei eeane/iiai c?acea niiaoiiai allegro
(aeea. niiaoa N 11).

?aiii niiaoe Aaeaeia – oea i?eeeaae noaiiaeaiiy o?e/anoeiiiai
eeane/iiai niiaoiiai oeeeeo. Eiiiiceoi? “ai?iao?” oi?io aeai/anoeiii?,
o?e/anoeiii?, /ioe?e/anoeiii? niiaoe, ciiithth/e iineiaeiaiinoue
/anoei o oeeeei oa aeiaeiiai ?aco ?? ia iiaoi?thth/e. C’yaeythoueny
o?e/anoeiii oeeeee, aea ani o?e /anoeie iaienaii o niiaoiie oi?ii, aai
oaei ae oeeeee, aea ani o?e /anoeie – oea ni?iaa noai?eoe niiaoiee
oeeee aac caa?oaiiy aei oi?ie niiaoiiai allegro. Nai? niiaoii oeeeee
Aaeaei noai?th? aai ca i?eioeeiii eiio?anoa, aai aca?iiaeiiiaiaiiy a
aaeoci oaiaoecio, eiai ?icaeoeo oa ia?aciiai ciinoo.

Oaeei /eiii, oi?iothoueny aeai iniiaii iineiaeiaiinoi /anoei oeeeeo:

1. Oaeaeea niiaoia allegro, iaioao c o?ii oa oaeaeeee oiiae.

2. Oaeaeea niiaoia allegro, iiaieueia /anoeia oa iaioao c o?ii.

O ?aiiio niiaoao, iaienaieo aei 1766 ?ieo, Aaeaei ia coieiy?oueny ia
yeiionue iaeiiio c oeeo oeiia oeeeeo, i?iaeiaaeoth/e
aenia?aiaiooaaoe.

Ia iaeiicia/ia i ?ieue iaioaoa o ?aiiio niiaoao Aaeaeia. Eiee aii
aeeiio? ooieoei? aeai?iai? /anoeie, Aaeaei caa?oa?oueny aei ia?iaeiiai,
oaioethaaeueiiai oaiaoecio, /anoiai aeei?enoaiiy iaeiciaoeee.
O?ii o oaeiio aeiaaeeo ia aeoaea eiio?anoo? c iniiaiei oaiaoe/iei
iaoa?iaeii iaioaoo. Eiee iaioao aenooia? caeeth/iith /anoeiith, eiai
oaiaoeci a?ae??ciy?oueny caaaeueieie oi?iaie ?ooo, aeei?enoaiiyi
oaeaeeeo oaiiia, i?inoith iaeiaeeeith. O oeeo aeiaaeeao iaioao
a?ae?a?a? ?ieue ia?aciiai oa noeeinoe/iiai eiio?anoo c o?ii. Iiiaei
Aaeaei ieoa iaioao aac o?ii c iaeaiueeei iiaieueiei ?icaeieii o
na?aaeeii. Oaeei /eiii, o ?aiiio niiaoao o?eaa? i?ioean noaiiaeaiiy
oi?ie iaioaoa, eiai ?iei i ciinoo.

O /ioe?e/anoeiiie neioiii?, o eaa?oaoi Aaeaei o oei ?iee aaea
i?eoiaeeoue aei iaaii? ?iei iaioaoa o oeeeei. Aea ae niiaoa
i?iaeiaaeo? aooe nai???aeiith oai?/ith eaai?aoi???th aeey eiiiiceoi?a.

Oeieaaeie ? iiooee oi?ie o iiaieueieo /anoeiao oeeeeo. O ?aiiio
niiaoao ciaoiaeeii i?eeeaaee i?inoi? aeai/anoeiii?, neeaaeii? aeai oa
o?e/anoeiii? oi?ie, neeaaeaii? ?ai?ecii? o?e/anoeiii? oi?ie c
aeaiaioaie niiaoiinoi, neeaaeii? aeai/anoeiii? oi?ie ci ciiiaiith
?ai?ecith. Iiiaei c’yaeythoueny i?eeeaaee iiaieueii? /anoeie o oi?ii
niiaoiiai allegro. Oei i?eeeaaee canaiae/othoue, ui iiaieueii /anoeie
niiao aeyaeythoueny iaeaieueo aaey/iei a?oioii

aeey aenia?eiaioia. Oea ei?e/iee oeaio? oeeeeo, nai???aeia niiaiaeue i
oiio aaoi?nueea oaioaciy aaciaaeia.

O ?aiiio niiaoao Aaeaeia a?aeaoaa?oueny i aeayeee neioac oi?ie. O
niiaoi N 4 o?aoy /anoeia yaey? niaith o?e/anoeiio oi?io – aeai/i
iiaoi?aiee iaioao i o?ii. O niiaoi N 7 ia?oa /anoeia ii?aeio? a niai
aa?iaoei? basso ostinato, eeane/io nth?oo oa iiaeaieii aa?iaoei? ia
oaio aa?oiueiai aieino.

I?iaaaeaiee aeeiiaanueeee aiaeic ?aiiio niiao Aaeaeia aeicaiey? c?iaeoe
aeayei aeniiaee uiaei ioce/ieo caniaia ae?aciinoi.

Aaiaiea o ?aiiio niiaoao Aaeaeia iacia/ia. sseui o iioao
cono?i/athoueny aiaeoeeaiiy aiae oaiio – aiie aeienaii naiei aaoi?ii.
Iae/anoioa oea ritenuto oa accelerando. Aaoi? cai?iiiiiaaii? ?aaeaeoei?
caa??aa? ani aaeaeiianueei caoaaaeaiiy, aaiaey/e nai? aeanii, yei
iaae?oeiaaii ae?iaiei o?eooii. Aaiaiea Aaeaeia uieueii iia’ycaia c
iioeaiei /eaioaaiiyi iaeiaei?, c aa?iiii/iith no?oeoo?ith, a oaeiae c
aeeiaiieith niiao (aiia ?icaeaaaoueny ia?aeaeueii aeeiaiioei).

Aeeiaiiea o oai?/inoi Aaeaeia – oea ?acoeueoao caaithaaiue
Iaiaaeinueei? oeiee. Aieiaii iiaiaaaaeaiiy o eeaai?ieo niiaoao
oae?:

– iinooiaiaai aeeiaii/ii niaaee i ia?inoaiiy (oea aeei?enoiao?oueny o
ia?oeo oa caeeth/ieo /anoeiao, eiee aiie iaienaii o oi?ii niiaoiiai
allegro oa o oaeaeeiio oaiii);

– iaaeeaeaiiy oi?oaiiaii aei cao/aiiy i?eano?o (iniaeeai o iiaieueieo
/anoeiao, eiee aiie aenooiathoue o ?iei ia?aciiai eiio?anoo o oeeeei,
a oaeiae o oaeaeeeo /anoeiao, eiee i?iiiio?oueny aeeiaiiea f, ff i
aeicaiey? oaeoo?a);

– caeaaeiinoue aeeiaiiee aiae oaeoo?e (oeae i?eioeei i?iyaey?oueny o
anio /anoeiao ?aiiio niiao Aaeaeia: /ei i?ici?ioa i yniioa oaeoo?a –
oei ?iciiiaiioiioa aeeiaiiea, oei /anoioi aeeiaii/ii ciiie oa ia?aiaaee
i iaaiaee, eiee oaeoo?a iane/aia i ioiieth? aaeeei aeiaiaciie,
aeeiaiiea noa? iaio ?iciiiaiioiith);

– aeei?enoaiiy aeeiaiiee “eoie” ( noino?oueny anio ?aiiio niiao
Aaeaeia, oea iaeei c iaeoethaeai?oeo aeeiaii/ieo caniaia eiiiiceoi?a).

A?oeeoeyoeiy Aaeaeia aaeueie ?iciiiaiioia, aiia ioiieth? oni o?e
ciie: legato, non legato, staccato, a oaeiae aaeeeo eieueeinoue
i?iiiaeieo aiaeoiieia. ?acii c oei o?acoaaeueii eiae aiae?iciythoueny
aiae a?oeeoeyoeieieo, ineieueee aiie ia’?aeiothoue ae?iaia iioeaia
/eaioaaiiy. O?acoaaiiy o ?aiiio niiaoao caeaaeeoue aiae oaeoo?e,
oaiio, oa?aeoa?o oai?o. O oaeaeeeo /anoeiao aeei?enoiaothoueny aaeeei
o?acoaaeueii eiae, o iaioaoao oa o?ii o?acoaaeueieie eiaaie iiaeooue
ia’?aeioaaoeny eieueea iio. Ia oa?aeoa? o?acoaaiiy aeoaea aieeaa?
ciino eiaeii? o?ace. ?aaeaeoi? ia’?aeio? o?acoaaeueieie eiaaie
caeii/aio ioce/io aeoieo, ia caa?oath/e oaaae ia ?? aeiaaeeio. Ui
noino?oueny a?oeeoeyoei?, oi iae/anoioa c’yaey?oueny ei?ioea staccato
(iniaeeai o aeai?iaeo /anoeiao), a oaeiae staccato iiae eiaith (o
iiaieueieo /anoeiao oa o?ii).

Aiaeic eiaeii? niiaoe i?iaaaeaii oaeei /eiii:

– caaaeueia oa?aeoa?enoeea oeeeeo;

– oa?aeoa?enoeea /anoeie;

– aeieeaaeiee ?icai? eiaeii? /anoeie ca oi?iith;

– oa?aeoa?enoeea oaiaoecio;

– ?ieue eiaeii? oaie o aeniiceoei?, ?ic?iaiooei oa ?ai?eci;

– oi?iioai?/a ?ieue aa?iiii?;

– aeai?iai oa?aeoa?enoeee;

– iaa?oiooaaiiy oa iiyniaiiy ?aaeaeoi?nueeeo i?iiiceoeie;

– aeniiaee iiney eiaeii? /anoeie oa iiney anueiai oeeeeo.

Oaeei /eiii, i?iaaaeaia ?iaioa aeicaiey? c?iaeoe ianooiii aeniiaee:

1. Noaiiaeaiiy aeai?o eeaai?ii? niiaoe naiae/eoue i?i niaoeeoi/ii
iino?oiaioaeueio eiai iniiao, “iino?oiaioaeueii icao/aio aieaeueiinoue”,
i?i niaoeiaeueio “na?eici?noue” aeai?o, i???ioiaaiiai ia
a?oenoe/ii-iaenoa?ia aeeiiaiiy aaaaoioaiiiai, ?iciiiaiioiiai ca
ia?aciith no?oeoo?ith oai?o.

2. AEai? niiaoe ia? aeeaeiiee ca’ycie c ae?aciinoth iino?oiaioaeicio
aa?iei oa aiaeii/an naionueee-oaao?aeueio ia?acio onoaiiaeo, yea
aecia/a? eeaneoeenonueeo niaoeeoieo aeai?iai? oeiieiai?.

3. AEai? eeaai?ii? niiaoe i?ieoia iioaineaiee i?ioean noaiiaeaiiy
i?ioyaii XVII – ii/aoeo XVIII noieiooy aiae niiaoe – nth?oe aei
ia?aaeeeane/ii? ioaeienueei? niiaoe oa eeaneee aiaeainueei? oeiee.

4. Niiaoe E.Aaeaeia aiaeia?aee cia/io ?ieue a aeoioeyoei? iieacieeia
eeaai?ii? niiaoe aai ca’ycoth /i? eaiee iiae ioaeienueeith,
o?aioeocueeith, aiaeienueeith oa iiiaoeueeith oeieaie.

5. O ?aiiio niiaoao E.Aaeaeia a?aeaoaa?oueny neiaiic iieacieeia
ia?aaeeeane/ii? oa eeane/ii? niiaoe, yea ia?aaoaa? a noaaei?
noaiiaeaiiy.

6. ?aiii niiaoe E.Aaeaeia aeyaeythoue ca’ycie c ioaeienueeith
eeaai?iith oeieith XVII – XVIII no. Ia?aaaaea? oei niiaoe-nth?oe, o
aieueoinoi aeiaaeeia iaeiioiiaeueii?, c yne?aaeie iieacieeaie
aeai?iai-?eoii-oaiiiaeo aa?iaoeie ia caaeaio no?oeoo?o (?ene
noa?iniiaoii?, niiaoii? oi?ie i o oaeaeeeo, i o iiaieueieo, i o
aeai?iaeo /anoeiao).

7. Oa?aeoa?iith ?enith ? noeneinoue oi?ie, caaaeyee aieueo
yne?aaei, ii??aiyeueia c niiaoaie ioaeienueeeo eiiiiceoi?ia,
oaeoo?ii-oaiaoe/iei oa oiiaeueii-ooieoeiiiaeueiei eiio?anoai. O oaeeo
aeiaaeeao niinoa??aa?oueny oiioieaoeiy iioa?aaeueiiai neeaaeo oai
(iiiaei o ?eoii/iie i?aaiicaoei? oa oiiaeueii-aenioiiio ieaii).

8. Iaeiciaoeea E.Aaeaeia iane?aeo? aeinaiae iiia?aaeiio
noieioue, iniaeeai, iiiaoeueei? oa o?aioeocueei? eeaai?ieo oeie. Aiia
noa? i?eeeaaeii aeey ianooiieo iieieiiue eiiiiceoi?ia, ye eeaneeia,
oae i ?iiaioeeia.

9. Iaei??th c iniaeeainoae ?aiiio niiao ? oaeoo?ii-?aaino?iaa
eiio?anoiinoue oai oa ?oiueiai iiaeaeueoiai ?icaeoeo. Oea
a?aeaoaa?oueny caeaaieueoiai o oeo /anoeiao, oa?aeoa? yeeo
iaaeeaea?oueny aei iiaooiai? ioceee (iae/anoioa – iaioaoa). Ana oea
aecia/a? eiiith oi?ioaaiiy Aiaeainueeiai oi?oaiiaiiiai noeeth, a yeiio
eeaai? iinooiiai iaaoaa? i?eano?aeueiinoi cao/aiiy.

Iniiaii iieiaeaiiy aeena?oaoei? ciaeoee aiaeia?aaeaiiy o
ioaeieaoeiyo aaoi?a:

1. Ethaeiiea Aiicao?a. Iaaeaaia. Aeeiiaaaoeue. Ethaeeia: Iiiia?aoiy.
?AA iaeaniiai oi?aaeiiiy ae?oeo. – Iaeana, 1993. – 5,0 ae.a.

2. ?aaeaeoeiy niiao Aaeaeia ye i?iaeaia ioceeiciaanoaa. Iaoiaee/ia
?ic?iaea. A. 1. Iaeanueea iaeania oi?aaeiiiy noaoenoeee. – Iaeana, 1996
?. – 23 n.

3. ?aaeaeoeiy niiao Aaeaeia ye i?iaeaia ioceeiciaanoaa. Iaoiaee/ia
?ic?iaea. A. 2. Iaeanueea iaeania oi?aaeiiiy noaoenoeee. – Iaeana, 1996
?. – 24 n.

4. ?aiii niiaoe E.Aaeaeia oa no/ania ?aaeaeoeiy ?o aeeiiaiiy //
Iaoa?iaee iiaeia?iaeiiai ioceeieiai/iiai naiiia?o “O?ainoi?iaoeiy
ioce/ii? inaioe: eoeueoo?a oa no/aniinoue”. – Iaeana, 1998. – N. 42
– 43.

5. Iaaiaeiii noi?iiee oi?oaiiaiii? oai?/inoi E.Aaeaeia. // AEo?iae
“Ioceea”, N 6, 1998. – N. 18.

Eiiiiiniaa I.I. ?aiii niiaoe E.Aaeaeia oa i?iaeaie ?o ?aaeaeoeieii?
iioa?i?aoaoei?. – ?oeiien.

Aeena?oaoeiy ia caeiaoooy iaoeiaiai nooiaiy eaiaeeaeaoa
ienoaoeoaiciaanoaa ca niaoeiaeueiinoth 17.00.03 – ioce/ia ienoaoeoai. –
Iaoeiiiaeueia ioce/ia aeaaeaiiy Oe?a?ie ii. I.I.*aeeianueeiai, Ee?a,
1998.

Aeineiaeaeaiiy i?enay/aii aea/aiith iaaiaeiieo noi?iiie
eeaai?ii? oai?/inoi E.Aaeaeia – ?aiiio niiao, iaienaieo aei 1766 ?ieo. O
?iaioi c?iaeaii aiaeic ?aiiio niiao Aaeaeia c oi/ee ci?o ?o
noeeinoeei-ooaeiaeiuei? naiinoieiinoi, a oaeiae cai?iiiiiaaii iaoeiaa
iaa?oiooaaiiy ?o aeeiiaanueei? ?aaeaeoei?. O aeiaeaoeao aei
aeena?oaoei? i?aaenoaaeaii iioiee oaeno niiao c ?aaeaeoi?nueeeie
i?iiiceoeiyie.

E e th / i a i n e i a a: niiaoa, niiaoia oi?ia, niiaoiee oeeee,
?aaeaeoeiy, iioa?i?aoaoeiy, aeeiiaiiy, iaeiciaoeea, o?oaeno,
?aaeaaoaaiiy.

Eiiiiiniaa I.I. ?aiiea niiaou E.Aaeaeia e i?iaeaiu eo ?aaeaeoi?neie
eioa?i?aoaoeee. – ?oeiienue.

Aeenna?oaoeey ia nieneaiea o/aiie noaiaie eaiaeeaeaoa
eneonnoaiaaaeaiey ii niaoeeaeueiinoe 17.00.03 – iocueaeueiia
eneonnoai. Iaoeeiiaeueiay iocueaeueiay aeaaeaiey Oe?aeiu ei.
I.E.*aeeianeiai, Eeaa, 1998.

Enneaaeiaaiea iinayuaaony eco/aieth iaecaanoiuo no?aieoe eeaae?iiai
oai?/anoaa E.Aaeaeia – ?aiieo niiao, iaienaiiuo aei 1766 aiaea. A
?aaioa i?iaaaeai aiaeec ?aiieo niiao Aaeaeia n oi/ee c?aiey
noeeenoeei-ooaeiaeanoaaiiie naiinoiyoaeueiinoe, a oaeaea i?aaeeiaeaii
iao/iia iainiiaaiea eo eniieieoaeueneie ?aaeaeoeee. A I?eeiaeaiee e
aeenna?oaoeee i?aaenoaaeai iioiue oaeno niiao n ?aaeaeoi?neeie
i?aaeeiaeaieyie.

E e th / a a u a n e i a a: niiaoa, niiaoiue oeeee, niiaoiay oi?ia,
?aaeaeoeey, eioa?i?aoaoeey, eniieiaiea, iaeeciaoeea, o?oaeno,
?aaeaeoe?iaaiea.

Limonosova Nataliya Ilegivna. – The early sonates by J. Gaidne and
the problems of their editorial interpritation. – Manuscript.

Dissertation satisfying the degree for Candidat of Art Criticism
according to the discipline 17.00.03 – musical art.- P.I.Tchaikovsky
National Academy of Ukraine, Kyiv, 1998.

The exploring is devoting to studing of the unknown pages of piano
creative works of J.Gaidne – early sonates wich wroten before
1766. In the work was made the analisis of the early sonates of Gaidne
from the point of seeing of their stylistic and artistic
independense, and also is proposing the scientific basis of their
executoring editing. In the dissertation’s Appendix is offering
the note text of sonates with edit proposes.

K e y w o r d s: sonata, the sonat cycle, the sonat shape, wording,
interpretation, performance, melizmatic,urtext, edit.

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