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ooaeiaeanoaaiiia oai?/anoai. -

N.127-131.

 

8. Inoaiaiei E. I. Aeiaaiee ienaoaey: Aeinoiaaneee a iieneao eaeaaea

//Neiayinueea eoeueoo?a: caeiaooee ? ao?aoe: Iaoa?. i?aeia?. eiio. -

Iieoaaa: Aeae-ai OINA, 1996. - O. 1. - N. 165-168.

 

Aiioaoe?y

 

Inoaiaiei E.I. Uiaeaiiee ienueiaiieea o.I. Aeinoi?anueeiai a eiai

ooaeiaeiueiio na?o?: iiooee i?i?i/iai neiaa. - ?oeiien.

 

Aeena?oaoe?y ia caeiaoooy iaoeiaiai nooiaiy eaiaeeaeaoa o?eieia?/ieo

iaoe ca niaoe?aeuei?noth 10.01.02 - ?in?enueea e?oa?aoo?a. - ?inoeooo

e?oa?aoo?e ?i. T.A. Oaa/aiea IAI Oe?a?ie, Ee?a, 1999.

 

Aeena?oaoe?y i?enay/aia aeine?aeaeaiith Uiaeaiieea ienueiaiieea O.I.

Aeinoi?anueeiai ye aaaeeeaiai oaeoo oai?/i? iiaaae?iee aaoi?a.

Iaoa??aee Uiaeaiieea ?icaeyaeathoueny c oi/ee ci?o oi?ioaaiiy

e?oa?aoo?e c ia?aaaaeath/ei cia/aiiyi ?a?iaiai neiaa. ?ice?eaa?oueny

aeeiai?ea o?ainoi?iaoe?e iaeiiai ?c i?iya?a ?a?iaiai ia?aiy a

Uiaeaiieeo - aaoi?nueei? ianee. Aecia/aiiy iniaeeainoae

ooieoe?iioaaiiy ?a?iaiai neiaa a Uiaeaiieeo aee?eaa? iai?yi

anoaoe/ieo aenia?eiaio?a Aeinoi?anueeiai o noai?aii? iiaiai ?icoi?iiy

ooaeiaeiueiai ? ooieoe?iiaeueii? ?ie? e?oa?aoo?e. Aiae?c i?enooi?o o

oaeno? i?i?i/eo ?ioaioe?e aaoi?a i?aeoaa?aeaeo? iniaeeaa cia/aiiy

Uiaeaiieea ienueiaiieea ye ?aae?caoe?? iaaecaaaeaiiy oai?/ino? O.I.

Aeinoi?anueeiai.

 

Eeth/ia? neiaa: oai?/a iiaaae?iea, ?a?iaa neiai, aaoi?nueea ianea,

i?i?i/? ?ioaioe??, iaaecaaaeaiiy oai?/ino?.

 

Summary

 

Ostapenko L.M. A Writers Diary by F.M.Dostoyevsky in his artistic

world: prophetic words search. - Manuscript.

 

The dissertation submitted for a scholarly degree of Candidate of

Philological Sciences in speciality 10.01.02 - Russian literature -

T.Shevchenko Institute of Literature, National Academy of Sciences of

Ukraine, Kyiv, 1999.

 

This dissertation is dedicated to inquiring into A Writers Diary by

F.M. Dostoyevsky as an important fact of the authors creative

behaviour. The materials of the Diary are considered from the point

of view of shaping literature with the prior significance of the

so-called play word. The dynamics of the transformation of one of the

manifestations of the play principle in the Diary - namely: the

authors mask principle- is revealed. The establishment of the

peculiarities of the play words functioning in the Diary

discloses the essence of Dostoyevskys aesthetic experiments in shaping

a new interpretation of the notion high artistic value and the

functional role of literature. The analysis of Dostoyevskys prophetic

intentions in the text confirms the specific significance of the Diary

as a realization of the supertask of F.M.Dostoyevskys literary work.

 

Key words: creative behaviour, play word, authors mask, prophetic

intentions, supertask of somebodys literary work.

 

Aiiioaoeey

 

Inoaiaiei E.I. Aeiaaiee ienaoaey O.I. Aeinoiaaneiai a aai

ooaeiaeanoaaiiii ie?a: iienee i?i?i/aneiai neiaa. - ?oeiienue.

 

Aeenna?oaoeey ia nieneaiea iao/iie noaiaie eaiaeeaeaoa oeeieiae/aneeo

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